Les Clark (1907 - 1979) The first of the 'nine old men,' Mr. Clark joined Walt Disney in 1927. His specialty was animating Mickey Mouse, starting with Steamboat Willie.
Marc Davis (1913 - 2000) Mr. Davis began working with Disney in 1935, during the production of Snow White and the Seven Dwarfs. He developed and animated many of the best-remembered characters, including Bambi, Thumper, and Cruella DeVil.
Ollie Johnston ( - ) Mr. Johnston graduated from Stanford University. In 1935, he was an animator for the Studio at the Walt Disney Company, where he worked on two dozen films, including Snow White and the Seven Dwarfs. He retired in 1978, and was honored as a Disney Legend in 1989.
Milt Kahl (1909 - 1987) Like the other 'nine old men,' Mr. Kahl was an animator and started at Disney in 1934. He was a Directing Animator for Snow White and the Seven Dwarfs.
Ward Kimball (1914 - 2002) Mr. Kimball joined Disney in 1934, and is best remembered for his creation of Jiminy Cricket in the movie, Pinocchio.
Eric Larson (1905 - 1988) Mr. Larson began at Disney in 1933, animating most of the Disney classics including Snow White..., and Cinderella.
John Lounsbery (1911 - 1976) Mr. Lounsbery began his career at the Studio in 1935, working on the classic features starting with Snow White.
Wolfgang 'Woolie' Reitherman (1909 - 1985) Mr. Reitherman joined Disney in 1935, as an animator and director. He is best remembered as a director for Sleeping Beauty, and as the director fully in charge of The Sword in the Stone. He directed and produced all of Disney's animated features after the death of Walt Disney, until 1980.
Frank Thomas ( - ) Mr. Thomas was both an animator and author. As an animator, he joined the Studio in 1934 and worked on many early shorts. Later, working on the classics, he created memorable scenes, such as Bambi and Thumper on the ice, and the Lady and the Tramp moments where the couple are eating spaghetti.
#D2 - Walt Disney Studio, PLUTO, 1940s. Soap and flypaper have bedeviled Pluto since the early 1930s, and in this original animation story drawing he seems plagued by both. It was created by a Disney artist in development of a scene in an animated cartoon of the 1940s. Drawn in red, blue, yellow and black pencil on an untrimmed story sheet, the art measures 5 .50' x 8.00'. In nice condition showing only a light crease at top, minor corner wear and a small spot of discoloration at upper left: FINE. This story drawing of Pluto hiccupping soap bubbles beside a stack of fly paper, appears on an untrimmed story sheet with two punch holes at the top. COA Howard Lowery.
$1,700
#D6 - Walt Disney Studio, DONALD DUCK, 1930s. This rough animation drawing of a typically angry Donald Duck was created by a Disney animator in development of a scene in an animated cartoon, likely of the 1930s 'The New Spirit'. Drawn in red and black pencil on an animation sheet trimmed to 5.00' x 3.75', the art measures 4.25' x 3.00'. In very nice condition showing only small bits of darkened tape at corners: FINE . COA Howard Lowery.
When you pay your taxes this year, give thanks to Walt Disney and Donald Duck. Once upon a time, there was no income tax. However, in 1942, things changed.
The story started with Donald Duck, a patriotic little fellow reluctant to pay income taxes. Listening to a radio broadcast about taxes, Donald progressively realized that paying the income tax would help win the war. With a whole new attitude, Donald quickly goes to work filling out his income tax return. Donald becomes so enthusiastic about paying the tax that he races from California to Washington to submit his tax return in person.
*$1,700
#D4 - Walt Disney Studio, PINOCCHIO, 1940. This lively and expressive animation drawing of Jiminy Cricket is from the scene on Pleasure Island animated by Ward Kimball in which he angrily tells Pinocchio: 'Go on laugh! Make a jackass out of yourself. I'm through! This is the end.' It is a final animation drawing created by a Disney animator in production of the animated feature, and a cel was made directly from it.
Drawn in red, black and green pencil on an untrimmed animation sheet, the art measures 2.50' x 2.50'. The studio's production number stamp also appears at lower right: 'Prod. 2003 / Seq. 8.5 / Scene 62. In excellent condition showing only light handling from the animation process itself: VERY FINE. COA Howard Lowery.
$875
#D14 - Walt Disney 'Abner Mouse', 1936. The drawing
from 'The Country Cousin' a Walt Disney 'SILLY SYMPHONY' Cartoon Short is rendered in graphite and red pencil. The image area measures 6.00 X 6.00, bearing animators notes.
Mouse Abner, THE COUNTRY COUSIN from Podunk, arrives in the big city to taste some of the high life enjoyed by his sophisticated cousin, Monty. Enjoying the viands of a banquet table - most especially the champagne - Abner is soon to encounter his first big city cat...
*$650
#D10 - Walt Disney Studio, PINOCCHIO ORIGINAL ANIMATION DRAWING, 1940. This superb animation drawing of Stromboli, the voluble Italian puppeteer and one of the film's unforgettable villains, is from a scene supervised by Vladimir Tytla, Walt Disney's great animator of the 1930s and early 1940s.
It is a final animation drawing created by a Disney animator in production of the animated feature, and a cel was made directly from it. Drawn in red and black pencil on an untrimmed animation sheet, the art measures 7' x 7 1/8'. The animator wrote the number '31' at the bottom to indicate this drawing's place in the scene, and the Studio's stamp 2003, sequence 4.2, scene 3 appears at lower right indicating production, sequence and scene numbers. In addition, the animator note 'Head and Hands Ok' appear in the upper left in red pencil.
Disney's 1940 masterpiece PINOCCHIO featured the evil puppeteer STROMBOLI who tricks him into a world of show business, but with a price. This large image typifies his character when he's explaining to an eager Pinocchio just how great 'an actor's life can be'.
*$1,200
#D25 - Walt Disney 'Roger Rabbit', 1988. The full sheet untrimmed drawing is rendered in graphite and red pencil, bearing number #2.
The image area measures 3.75' X 3.50', bearing Disney stamp ' This material is property of WALT DISNEY PICTURES. It is unpublished and must not be taken from the studio, duplicated, or used in any manner except for production, without written permission from an authorized officer of the company '.
*$800
#D21 - Walt Disney Studio, THE FOX AND THE HOUND, 1981. This handsome rough animation drawing of Big Mama, the owl who befriends the young Tod, was created by a Disney animator in development of a scene in the animated feature. Drawn in blue pencil on an untrimmed animation sheet, the art measures 8.25' X 5.25'. In excellent condition showing only light handling from the animation process itself: VERY FINE.
*$380
#D30 - Walt Disney Studio, MICKEY MOUSE AND FRIENDS, 1960s. This original design sketch, drawn in pencil on paper, was created by a Disney artist in development of an illustration for a book featuring Mickey, Minnie, Goofy, Pluto, and other cartoon characters in the 1950s or 1960s. The drawing measures 5 7/8' x 8 3/4' on a 12' x 10' sheet. COA provided by Howard Lowery Gallery.
*$755
#D19 - Walt Disney - 'Donald, Pluto, Mickey, Goofy', . The drawing is rendered in red graphite pencil with blue animator notes and measures 19.00' X 11.00'. The drawing is on an untrimmed sheet with Walt Disney Production stamp in lower left corner. Signed by Fred Moore at right top corner.
The 'Disney gang' drawing is very large where half the sheet is shown on the right.
*$2,200
#D27 - Walt Disney Studio, THE SWORD IN THE STONE, 1963. This rough animation drawing of Merlin, court wizard and mentor to the young King Arthur (Wart), was created by a Disney animator in development of a scene in the animated feature.
This is an animator's extreme drawing and likely the work of John Lounsbery. Drawn in pencil on an untrimmed animation sheet, the art measures 10' x 3 1/2'. COA provided by Howard Lowery Gallery.
*$765
#D32 - Walt Disney Studio - 'The Whalers', 1938. This excellent character study of Mickey Mouse was animated by Preston Blair. Drawn in graphite and red pencil on an untrimmed animation sheet, the art image measures 2.50' x 5.25'. The animator wrote the number '33' at the bottom to indicate this drawing's place in the scene.
Mickey, Donald and Goofy are on a tramp steamer when a whale is sighted. Mickey must come to the rescue when Goofy is swallowed by the whale and the boat is destroyed.
*$1,200 (SOLD)
#D31 - Walt Disney Studio, THREE ORPHAN KITTENS, 1935. This character study of Fluffy, one of the three kiteens in Disney's outstanding Silly Symphony cartoon was created by a Disney artist in development of the character or a scene in the animated film. Drawn in colored pencil on an untrimmed animation sheet, the art measures 2.00' x 4.00'. COA provided by Howard Lowery Gallery.
Three orphan kittens are entering a society house in winter and ruin the furniture. But when they're caught by the maid, the young daughter of the house 'rescues' them from the cold out outside.
*$915
#D34 - Walt Disney Studio - 'Cock O'The Walk', 1935. This Silly Symphony drawing is rendered in graphite pencil on an untrimmed animation sheet.
When a prize fighting rooster comes to town, a celebration is held, complete with elaborate parodies of Busby Berkley dance routines. When the cock sweeps a young hen off her feet, however, he is challenged to a fight by her jealous suitor.
*$580
#D35 - Walt Disney Studio - 'MICKEY CUTS UP', 1931. Humorous animation drawing of Minnie Mouse as she lands in a watering can (and, of course, drenches Mickey Mouse with water). In this cartoon Mickey, Minnie and Pluto wreak gag-laden havoc in the garden during Spring cleaning. Spring cleaning in Minnie's yard turns out to be quite a chore for Mickey, who wrangles with a cat and a birdhouse, while Pluto creates havoc with a lawn mower.
It is a final animation drawing created by a Disney animator in production of the animated cartoon, and a cel was made directly from it. Drawn in red and black pencil on an untrimmed animation sheet, the art measures 2.50' x 3.00'.
The animator wrote the number '149' at the bottom to indicate this drawing's place in the scene. In excellent condition showing only light handling from the animation process itself: VERY FINE. Howard Lowery certificate of authenticity is included.
*$905
#D29 - Walt Disney Studio, DONALD DUCK COLORING BOOK, 1960s. This handsome original design drawing, rendered in red and black pencil on an animation sheet, was created by a Disney artist in development of the cover illustration for a coloring book featuring Donald Duck and friends in the 1950s or 1960s.
The drawing measures 9 1/4' x 6 5/8' on an animation sheet measuring 12 1/2' x 15 1/2'. COA provided by Howard Lowery Gallery.
*$670
#D37 - Walt Disney Studio - 'OUT OF SCALE', 1950. 'CHIP', the chipmunk is sweeping and cleaning his house, while Dale is gathering nuts for the winter, in this classic cartoon. This is a beautiful animation drawing rendered in Graphite and Red Pencil on an untrimmed animation sheet, measureing 2 1/2' x 3 1/2'. Harry Kleiman Gallery.
*$500
#D33 - Walt Disney Studio - 'Mickey's Elephant', 1936. This character study of Mickey Mouse is rendered in graphite pencil on an untrimmed animation sheet, the art image measures 2.00' x 4.00'.
Happy with his gift, Mickey makes a home for Bobo, his new elephant, incurring Pluto's jealousy. Putting pepper in Bobo's trunk, Pluto succeeds in not only getting Bobo's new home blown to bits, but his own doghouse as well.
*$960
#D36 - Walt Disney Studio - 'MICKEY'S ORPHANS', 1931. Expressive animation drawing of Pluto depicts Mickey's canine companion with the deer's head on his hind-end is from a scene animated by Ben Sharpsteen in which Pluto plays a reindeer to Mickey Mouse as Santa.
Drawn in pencil on an untrimmed animation sheet, the art measures 2 1/2' x 3 1/2'. The animator wrote the number '77' at the bottom to indicate this drawing's place in the scene.
In excellent condition showing only light handling from the animation process itself: VERY FINE. Howard Lowery certificate of authenticity is included.
The short begins with Donald and Goofy in a very feminine looking moose outfit in which they have splattered with lipstick, face-powder and 'Deer Kiss' perfume to try to be a decoy for Mickey, who is hunting moose.
We find out then that the perfume is very strong stuff due to the fact that a huge bull moose quickly rushing towards them through the forest towards them. But when the moose makes contact with them, it thrusts them from their costume, as a result they have to do a fan-dance, using snatched items of shrubbery, until they can reach the shelter of a rock so that they can swiftly get dressed again.
After they get dressed, a determined bee goes into the back of the costume where Donald, acting the part of the hindquarters of the moose, goes stung. Then the bee lands of Goofy, and when Donald sees this, he swats vindictively at the bee and causes Goofy to tumble forward to kiss the bull moose. But in the end the deception is revealed and the pals flee from the moose's wrath.
*$975
#D42 - Walt Disney Studio - Gladstone - Donald Duck, 1989. This Full-figure original (working) drawing of Donald from 'The Amazon Queen' measures 6.75' X 4.50' and is matted. The Drawning is rendered in graphite pencil from the Donald Duck Adventures #20 (Gladstone comic).
William Van Horn always enjoyed comics as a child, especially 'Mickey Mouse' as drawn by Floyd Gottfredson. He studied at the California College of Arts, after which he worked in the animation field for years. He left this field in 1977 and started to write children's books. It was not until 1985, when Van Horn created his first comic: 'Nervous Rex', about a small dinosaur. He contacted the American Disney publisher Gladstone in 1985. Van Horn had heard about the publisher's plans to create new Duck stories, and he was interested.
Later on, William Van Horn moved from Gladstone to the Danish Egmont Comic Creation and has created over 800 'Duck' pages since. He introduced new characters to the Disney universe (Baron Itzy Bitzy, Rumpus McFowl). Van Horn has written nearly all of his own stories and he uses a very personal style in both his scenarios and artwork. In his stories, Van Horn focused on the absurdity of the situation, instead of the actual storyline. This gives his comics a distinguished style, which is more slapstick than other Disney stories. Compared to other artists, the artwork in his stories is more vivid, or 'loosey-goosey', as he likes to call it.
*$395
#D39 - Walt Disney Studio - 'DONALD'S PENGUIN', 1939. This rough animation drawing of Tootsie, the cute and troublesome penguin who comes to live with Donald Duck, was created by a Disney animator in development of a scene in the animated cartoon. Drawn in pencil on an untrimmed animation sheet, the art measures 4' x 4 1/4'. The animator wrote the number '16' at the bottom to indicate this original's place in the scene. In excellent condition showing only light handling from the animation process itself: VERY FINE. Howard Lowery certificate of authenticity.
Donald Duck gets a baby penguin as a gift, and it causes so much trouble he nearly shoots it, causing it to disappear. Remorseful, Donald is overjoyed to see the penguin return and they hug affectionately.
*$635
#D43 - Walt Disney Studio - FERDINAND THE BULL, 1938. This lively rough animation drawing of the Five Men in Funny Hats who came to the country to select a fierce bull for the bullfight in Madrid was created by a Disney animator in development of a scene in the animated feature.
Drawn in blue pencil on an untrimmed animation sheet, the art measures 4 3/4' x 3 7/8'. The animator wrote the number 'C-19' at the bottom to indicate this drawing's place in the scene. In very nice condition showing only light handling from the animation process itself and minor creasing at edge away from the image: VERY FINE. Howard Lowery Galleries certificate of authenticity is included.
$660
#D46 - Walt Disney Studio - 'Sleeping Beauty', 1959. This animation drawing of Fauna, one of the three magical fairies, was created by a Disney animator in development of a scene in the animated cartoon. Drawn in red and graphite pencil on an untrimmed animation sheet (12.50' X 15.50'), the art measures 3.50' X 5.50. The animator wrote the number '199C' at the top right to indicate place in the scene, rendered on 3 peg hole sheet also includes Production Markings. In excellent condition showing only light handling from the animation process itself: VERY FINE.
Once upon a time, in a kingdom far away, a beautiful princess was born ... a princess destined by a terrible curse to prick her finger on the spindle of a spinning wheel and become Sleeping Beauty. Masterful Disney animation and Tchaikovsky's celebrated musical score enrich the romantic, humorous and suspenseful story of the lovely Princess Aurora, the three magical fairies Flora, Fauna and Merryweather, and the valiant Prince Phillip, who vows to save his beloved princess. Phillips bravery and devotion are challenged when he must confront the overwhelming forces of evil conjured up by the wicked and terrifying Maleficent. Embark on a spectacular adventure of unprecedented scale and excitement in this thrilling, timeless Disney Classic.
$675
#D47 - Walt Disney Studio - 'DUMB BELL OF THE YUKON ', 1946. This animation drawing of DONALD DUCK was created by a Disney animator in development of a scene in the animated cartoon.
Drawn in blue and graphite pencil on an untrimmed animation sheet (10.00' X 12.00'), the art measures 7.50' X 5.50. The animator wrote the number '17' at the bottom right to indicate place in the scene, rendered on 5 peg hole sheet also includes Production Markings by Disney Animator, Fred KopietzIn. Excellent condition showing only light handling from the animation process itself: VERY FINE. COA provided by Mice, Ducks & Wabbits.
Donald heads to the Yukon Territory to hunt up a fur coat for Daisy.
$975
#D49 - Walt Disney Studio - 'Mickey's Fire Brigade ', 1935. This animation drawing of Donald Duck was created by a Disney animator in development of a scene in the animated cartoon.
Drawn in graphite pencil on an untrimmed animation sheet (10.00' X 12.00'), the art measures 3.00' X 3.50. The animator wrote the number '49 D' at the bottom right to indicate place in the scene, rendered on 3 peg hole sheet. Excellent condition showing only light handling from the animation process itself: VERY FINE.
Mickey, Donald and Goofy come to the aid of Clarabelle, who is relaxing in the bath, completely unaware that her house is on fire.
$975
#D50 - Walt Disney Studio - 'BOAT BUILDERS', 1938. This animation drawing of MICKEY MOUSE was created by a Disney animator in development of a scene in the animated cartoon.
Drawn in red and graphite pencil on an untrimmed animation sheet (10.00' X 12.00'), the art measures 3.50' X 2.50. The animator wrote the number '15' at the bottom right to indicate place in the scene, rendered on 5 peg hole sheet also includes Production Markings by Disney Animator. Excellent condition showing only light handling from the animation process itself: VERY FINE. COA provided by Mice, Ducks & Wabbits.
*$1,200
#D51 - Walt Disney Studio - 'DUMB BELL OF THE YUKON ', 1946. This animation drawing of DONALD DUCK was created by a Disney animator in development of a scene in the animated cartoon.
Drawn in blue, red and graphite pencil on an untrimmed animation sheet (10.00' X 12.00'), the art measures 7.50' X 5.50. The animator wrote the number '58' at the bottom right to indicate place in the scene, rendered on 5 peg hole sheet also includes Production Markings by Disney Animator, Fred KopietzIn. Excellent condition showing only light handling from the animation process itself: VERY FINE. COA provided by Mice, Ducks & Wabbits.
*$975
#D53 - Walt Disney Studio, LADY AND THE TRAMP ORIGINAL ANIMATION DRAWING, 1955. The animation drawing of Lady and Tramp, both of the film's lead characters. It is a final animation drawing created by a Disney animator in production of the animated feature, and a cel was made directly from it. Drawn in red, green and black graphite on an untrimmed animation sheet, the art measures 4.00' x 4.00'. The animator wrote the number '9' at the bottom to indicate this drawing's place in the scene. In excellent condition showing only light handling from the animation process itself: VERY FINE. Howard Lowery Gallery certificate of authenticity is included.
*$975
#D52 - Walt Disney Studio - 'Melody Time', 1948. This animation concept drawing of Pecos Bill, Widowmaker and Slue Foot Sue, was created by Ward Kimball in development of a scene in the animated cartoon. Drawn in graphite pencil on an untrimmed animation sheet (12.50' X 15.50'), the art measures 6.25' X 6.00. The animator Ward Kimball hand signed the drawing 'From Pecos Bill & Ward Kimball', rendered on 5 peg hole sheet. In excellent condition: VERY FINE.
A seven-section anthology film: Some are based on American fairy tales and legends, such as the stories of Johnny Appleseed and Pecos Bill (narrated by Roy Rogers). Other episodes consist of a fanciful mix of popular and classical music, and animation in the style of FANTASIA. Includes Donald Duck in 'Blame It on the Samba'. A colorful film from Disney's golden age of animation. The Gold Collection Edition includes the Disney shorts 'Casey Bats Again' and 'Lambert the Sheepish Lion'.
*$995
#D55 - Walt Disney Studio, LADY AND THE TRAMP ORIGINAL ANIMATION DRAWING, 1955. The rough animation drawing of Tramp was created by animator 'Milt Kahl', who was also Disney's leading draughtsman. Those that had the chance to get to know Milt were amazed, his standards were so high, it frightened everybody else at the studio.
Drawn in black graphite on an untrimmed animation sheet 12.50 X 15.50, the first image measures 6.00' X 7.00'. The animator wrote the number '251' at the bottom to indicate this drawing's place in the scene. In excellent condition showing only moderate handling from the animation process itself: VERY FINE. certificate of authenticity is included.
SOLD
#D56 - Walt Disney Studio, LADY AND THE TRAMP ORIGINAL ANIMATION DRAWING, 1955. The rough animation drawing of Trusty was created by animator 'Milt Kahl', who was also Disney's leading draughtsman. Those that had the chance to get to know Milt were amazed because his standards were so high, it frightened everybody else at the studio.
Drawn in black graphite on an untrimmed animation sheet 12.50 X 15.50, the image measures 10.00' X 9.00'. The animator wrote the number '64' at the bottom and top right to indicate this drawing's place in the scene. In good condition showing slight crease at Brutus' shoulder, bends at two corners and two inch water stain at very top away from image: Certificate of Authenticity is included. Due to the size of the image my scanner would not print all of the drawing.
*$1,600
#D58 - Walt Disney Studio, Disney's Fantasia 1940. The animation drawing is of Mickey from the The Sorcerer's Apprentice segment. It is a final animation drawing created by a Disney animator in production of the animated feature, and a cel was made directly from it. Drawn in red, green and black graphite on an untrimmed animation sheet 8.50' x 11.00' inches. The art image of Mickey measures 4.50' X 6.00'. The drawing is framed and matted - the frame measures 16.00' x 19.00' inches. There is a brass plate below the drawing that says 'Mickey Mouse, Original Production Drawing, Fantasia 1940'.
The back of the frame has a label from The American Royal Arts Corp. in Westbury, NY. It says 'This is an original animation production drawing, Mickey Mouse-from Fantasia 1940, Walt Disney Productions'.
In excellent condition showing only light handling from the animation process itself: VERY FINE. American Royal Arts Corp. Certificate of Authenticity is included.
*$3,500
#D59 - Walt Disney Studio, Two Gun Mickey, released in December of 1934. It is a final animation drawing created by a Disney animator in production of the animated feature, and a cel was made directly from it. Rendered in black graphite on an untrimmed animation sheet 9.50' x 11.50' inches - two punch holes. The art image of Mickey and smoke measures 3.25' X 8.00'. The animator wrote the number '53' at bottom right to indicate this drawing's place in the scene.
Minnie rides into town and takes a large sack of money out of the bank. Pegleg Pete gathers his gang to take it from her, and they chase her out of town. Lonesome cowboy Mickey, who met Minnie earlier and was told she could take care of herself, sees this chase unfolding from his high perch, and rides down to save the day.
*$1,600
# D61 - Walt Disney Studio - 'How to Ride a Horse', Originally Released on June 20, 1941. This is a drawing of the 'Horse: The Friend of Man' that appeared in the 'Reluctant Dragon' sequences. Drawn in graphite and red pencil on an untrimmed animation sheet, the art measures 5.00' x 4.50' on a 5-hole untrimmed production sheet (10.00' X 12.00'). Animator notes appear along the bottom of the horse - 'TIC #239'. The animator also wrote 'Complete Horse' and the number 'H-249' at the bottom to indicate this drawing's place in the scene. In excellent condition showing only light handling from the animation process itself: VERY FINE.
Five short animated stories wrapped around a tour of the Walt Disney Studios. Includes 'Casey, Jr.', 'Old MacDonald Duck', 'Baby Weems', 'How to Ride a Horse' and 'The Reluctant Dragon'.
*$550
#D60 - Walt Disney Studio - 'Mickey's Mellerdrammer', 1933. This animation drawing of Mickey ala Al Jolson, was created by a Disney animator in development of a scene in the animated cartoon. Drawn in graphite pencil on an untrimmed animation sheet (9.50' X 11.50'), the art measures 3.00' X 5.00. The animator wrote the number '360' at the bottom right to indicate place in the scene, rendered on a 2 peg hole sheet also includes Pencil Markings. In excellent condition showing only light handling from the animation process itself: Purchased from The PGC MintVERY FINE.
The gang stages 'Uncle Tom's Cabin,' with Mickey and Minnie dressing up as black slaves. Mickey has cotton around his ears, and black characters sing 'I Wish I Were In Dixie' in the background on stage. The crowd receives Horace's villainous performance as Simon Legree too seriously, bombing him off the stage with vegetables. Clarabelle's dramatic performance as a fleeing slave is also ruined, when dogs that are supposed to be chasing her are led astray and through the orchestra pit by a cat. Ultimately, the 'assbestos' curtain comes down on the whole menagerie.
$905
